Charles Green offers a sustained critical examination of collaboration in international contemporary art, tracing its origins from the evolution of conceptual art in the 1960s into such stylistic labels as Earth Art, Systems Art, Body Art and Performance Art. During this critical period, artists around the world began testing the limits of what art could be, how it might be produced, and who the artist is. Collaboration emerged as a prime way to reframe these questions.
http://www.upress.umn.edu/Books/G/green_third.html
Mots-clés associés
Type de publication : Livre
Zone géographique : Hors Europe , Totalité de l'Europe (48 pays)
Catégories artistiques et culturelles : Architecture et design , Audiovisuel et multimédia , Arts multidisciplinaires , Arts du spectacle , Arts plastiques et visuels
Thème et champ d'application : Pratique artistique
Mettre un signet
art, collaboration, culture
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