LabforCulture

The Third Hand: Collaboration in Art from Conceptualism to Postmodernism

Charles Green offers a sustained critical examination of collaboration in international contemporary art, tracing its origins from the evolution of conceptual art in the 1960s into such stylistic labels as Earth Art, Systems Art, Body Art and Performance Art. During this critical period, artists around the world began testing the limits of what art could be, how it might be produced, and who the artist is. Collaboration emerged as a prime way to reframe these questions.

Auteur(s) : Charles Green
Editeur : University of Minnesota Press, Minneapolis
Année de publication : 2001
ISBN/ISSN : 0-8166-3713-X
Langue(s) : Anglais

Mots-clés associés


Type de publication : Livre
Zone géographique : Hors EuropeTotalité de l'Europe (48 pays)
Catégories artistiques et culturelles : Architecture et design Audiovisuel et multimédia Arts multidisciplinaires Arts du spectacle Arts plastiques et visuels
Thème et champ d'application : Pratique artistique

Mettre un signet


art, collaboration, culture

Recently added items

Tate Encounters is a three-year research project funded by the Arts and Humanities Research Council through the Diasporas, Migration and Identities …
The author presents a comparative review of the frameworks for independent workers in the contemporary performing arts in Europe.

Latest discussions

La Macina di San Cresci ,residence for artists member of RES ARTIS announces that the Municipality of Greve in Chianti (Florence, Italy) grants a …

What's in the blogs

The session immediately after lunch brings together what the StrangerFestival calls Simply the Best, three very different examples of best practice …
Marquer cette page d'un signet sur ...
BlinkList del.icio.us Folkd Furl Google Mister Wong Yahoo MyWeb Shadows Digg Reddit Citeulike