Charles Green offers a sustained critical examination of collaboration in international contemporary art, tracing its origins from the evolution of conceptual art in the 1960s into such stylistic labels as Earth Art, Systems Art, Body Art and Performance Art. During this critical period, artists around the world began testing the limits of what art could be, how it might be produced, and who the artist is. Collaboration emerged as a prime way to reframe these questions.
http://www.upress.umn.edu/Books/G/green_third.html
Palabras clave relacionadas
Tipo de publicación: Libro
Ámbito geográfico: Fuera de Europa , Toda Europa (48 países)
Categorías de arte y cultura: Architectura y diseño , Audiovisual y medios de comunicación , Cultura multidisciplinar , Artes escénicas , Artes visuales y plásticas
Ámbito temático: Práctica artística
Etiquetado como
art, collaboration, culture
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